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• About
• Blog
• Initiatives
• Producing, Project Managing, Researching
  • Design in Action 2014-2017
  • Nil by Mouth 2013-14
  • New South Glasgow Hospitals 2010-2016
  • NHSGGC New Victoria and New Stobhill Hospitals 2008-09
  • The Artist as Leader 2006-08
  • Greenhouse Britain: Losing Ground, Gaining Wisdom 2006-08
  • Remember Saro-Wiwa 2006-08
  • Place of Origin 1996-2003
• Writing
  • A Call to Farms: SW Scotland
  • A co-operative future
  • Bob Dylan acknowledges a debt
  • Habitat for…
  • Half-Life
  • Interview: Wilhelm Scherubl (2000)
  • Sweeping
  • Iron Conference: the art of recidivism?
  • Place of Origin
  • John Latham
  • Soil: A Virtue
  • Not place but context
  • Soil
  • Earthworks, Brian Aldiss
  • On The Edge (Phase 1) Papers
• Exploring Places
  • ecoartscotland library as bing
  • Two violences
  • Calendar Variations (ongoing)
  • Anger/Cancer drawings
  • Ponds (2009)
  • By Leaves We Live (2011)
  • Carron Ravenscraig Glengarnock (2004, 2009)
  • Extraordinary Rendition (2005)
  • Ayr Puns (2008 ongoing)

from ecoartscotland.net

• The Right Tree in the Right Place?
• Ecoart in Action: Activities, Case Studies, and Provocations for Classrooms and Communities
• Art and Activism towards COP – Guest Review by Marc Herbst
• Shelby Bennett reviews Robyn Woolston’s ‘Yours, in Extraction’
• Erika Cann and Siân Goldby: Towards a geological-artistic practice
• ecoartscotland library as bing
• Beverly Naidus reviews ‘We are nature defending itself’
• Inge Panneels on ‘Ocean ARTic’, ecoart, and big data
• BD Owens reviews ‘Assuming the Ecosexual Position’ by Beth Stephens and Annie Sprinkle
• Becoming Earthly 2022

My Networks

• Ayr Converses
• Ayrshire Arts Network
• CORE
• Curatorial Network
• EcoArt Network
• Greenmuseum.org
• Greenspace Scotland
• On The Edge Research
• PAR+RS
• Public Art Online
• Scottish Artists Union
• VAGA
• Visiting Arts
• Voluntary Arts Scotland
• Yasmin

Time travel

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