Exploring Places

All the trees (Chapel of St. Nicholas)
2009

The Edge (Chris Fremantle and Anne Douglas) for *periphery, a project by Gymnasium in association with YH485 Press
2009. Download a pdf.

All the trees (North Sea Mecox)
2009

All the trees at 407 North Sea Mecox photographed on 2nd and 3rd July 2009

Carron Ravenscraig Glengarnock
2004, 2009

Ponds
2009

See the Monuments of Newton-on-Ayr [not posted yet]
2009

My Gallery in a Hat
2008

Hearing a description of one of Allan Kaprow’s works, I thought it would be interesting to attempt the same sort of thing.

Ayr Puns
2008 ongoing

I made this in response to living in Ayr and becoming sensitive to the seaside culture.

Half-Life
2007

I made this as a way of documenting and reflecting on NVA’s Half-Life installation and performance in Kilmartin.

Extraordinary Rendition
2005

See the Monuments of Lumsden, Aberdeenshire
2003

I made this as a result of:

1. Discovering Robert Smithson’s work See the Monuments of Passaic, New Jersey.
2. Walking around the village of Lumsden where I was living and noticing the significant infrastructure for water as an ‘invisible’ series of Monuments.

About

This is a diary recording exhibitions I've seen, interesting arts & health projects and my own failures and interesting references to failure. If you want to know the types of work I do please look at the About page here.

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from ecoartscotland.net

Ecoart in Action: Activities, Case Studies, and Provocations for Classrooms and Communities March 13, 2023
Ecoart in Action was published in 2022 and has now been featured in the e-flux Art&Education database. The book captures the scope of issues that art and ecology intersects with – the first contribution is on the need for media literacy in relation to environment and politics, and the last is concerned with how to... Continue Reading →
Art and Activism towards COP – Guest Review by Marc Herbst February 3, 2023
“Better late than never” This review from Marc Herbst, Co-editor of the Journal of Aesthetics & Protest explores art and activism at the time of COP26. Climate Crossroads by the Human Impact InstituteCentre for Contemporary Arts, Glasgow, November 2 – November 4, 2021 Court for Intergenerational Climate Crimes By Radha D’Souza and Jonas Staal Framer... C […]
Shelby Bennett reviews Robyn Woolston’s ‘Yours, in Extraction’ January 12, 2023
When entering Robyn Woolston’s recent solo exhibition Yours, in Extraction, the first word viewers see is “EMERGENCY.” The word is emblazoned on a stack of ‘Emergency Beacons’ stacked in the middle of the gallery at Fort Worth Contemporary Arts (Art Galleries at TCU). The beacons are tall, black, poles topped with blue lights that immediately... Continue Rea […]
Erika Cann and Siân Goldby: Towards a geological-artistic practice November 6, 2022
It’s been a while since we’ve posted on ecoartscotland. Several pieces are in the pipeline. Earlier this year The Barn, Banchory, ran a second iteration of Becoming Earthly. Following the first iteration of Becoming Earthly, ecoartscotland published a blog by David Haley. Following the second iteration this year, together with The Barn, we commissioned two.. […]
Beverly Naidus reviews ‘We are nature defending itself’ May 26, 2022
In a previous piece for ecoartscotland Beverly Naidus, Artist/Writer/Activist/Facilitator/Co-learner, reported on her 2017 visit to the zad. Here Beverly reflects on the publication from Pluto Press We Are ‘Nature’ Defending Itself: entangling art, activism and autonomous zones (WANDI), the recently published text from Isabelle Fremeaux and Jay Jordan. The t […]

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CHRIS FREMANTLE