CHRIS FREMANTLE
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- About
- Blog
- Initiatives
- Producing, Project Managing, Researching
- Writing
- A Call to Farms: SW Scotland
- A co-operative future
- Bob Dylan acknowledges a debt
- Habitat for…
- Half-Life
- Interview: Wilhelm Scherubl (2000)
- Sweeping
- Iron Conference: the art of recidivism?
- Place of Origin
- John Latham
- Soil: A Virtue
- Not place but context
- Soil
- Earthworks, Brian Aldiss
- On The Edge (Phase 1) Papers
- Exploring Places
from ecoartscotland.net
- Bibliography on critical approaches to toxics and toxicity July 10, 2017Originally posted on Discard Studies: Critical approaches are those that question premises, assumptions, and ways that things become normal or stable. Toxicity, toxins, and toxicants are areas of critical concern because controversies over what they mean, how they act, how they come into being and where, and what counts as evidence have high stake ramificati […]
- Climate Change’s Place in Literature June 22, 2017Originally posted on Artists & Climate Change: Climate change does not feature prominently in the landscape that comprises literary fiction. When the subject does appear, it is far more likely to be in nonfiction work. Sadly, the writers who write science fiction, the genre to which climate change has been relegated, are not taken seriously…
- Call for Artists: WetlandLIFE June 7, 2017The WetlandLIFE Research Team are looking for artists whose work can contribute to our knowledge and appreciation of wetlands and mosquitoes. By this we mean artworks, in any medium, that seek to influence our awareness, understanding, attitudes, emotions, values or behaviour towards them, and the ecological and social interactions that have brought them int […]
- Anne Douglas – Low Carbon Futures: what have the arts and humanities got to do with it? May 30, 2017How many lawyers does it take to make Scotland low carbon? How many artists? You might think it doesn’t matter – it’s the scientists, engineers and politicians who will make the difference. But increasingly it is recognised that our addition to fossil fuels is as much cultural as it is infrastructural. Single occupancy car use […]
- The Same Hillside May 25, 2017It was a seemingly unlikely pair forming the panel after the Crypic Nights premier of The Same Hillside at the Centre for Contemporary Art in Glasgow. The one who looked like a farmer (checked shirt and flat cap) was the documentary film-maker John Wallace, the other (long hair and beard a t-shirt with a ‘pirate’ […]
My Networks
- Ayr Converses
- Ayrshire Arts Network
- CORE
- Curatorial Network
- EcoArt Network
- Greenmuseum.org
- Greenspace Scotland
- On The Edge Research
- PAR+RS
- Public Art Online
- Scottish Artists Union
- VAGA
- Visiting Arts
- Voluntary Arts Scotland
- Yasmin
