What art have I seen? Wenders’ film Anselm
At Glasgow Film Theatre.
Wenders’ ‘Anselm’ is a very good equivalent of an exhibition catalogue for Kiefer’s installation in the Doge’s Palace, Venice 2022. All the background, the development through two versions of a younger Kiefer.
‘Anselm’ is more biographical than Sophie Fiennes’ ‘Over Your Cities Grass Will Grow’. That film as I remember it is more focused on the Studio at Barjac (discussed here Aesthetics of Uncivilisation). Wenders’ is more interested in what it is to be German.
‘Anselm’ discusses the relationship with Nazism and Heidegger (spoiler Wenders’ seems to think Heidegger was silent on Nazism, which he wasn’t, but Kiefer’s work, in particular a book featuring Heidegger’s brain succumbing to cancer, is totally clear… the last pages are all black…).
The question of what you would do as a German in 1930 or 1939 was left hanging. Putting on your Dad’s uniform and going places acting it out salutes is reopening the wound.
What art have I seen? Mass MOCA
This is part of Michael Oatman’s ‘All Utopias Fell’, a strange spin on solar energy and communication with the stars. The Jetstream is about 3 stories up and contains amongst other things a library and archive.
The three floors of Sol Lewitt’s work arranged Early, Mid and Late.
Explode Every Day – an inquiry into the phenomena of wonder – standout pieces by Michael Light’s ‘100 Suns’ (photos from the Los Alamos National Laboratories); Rachel Sussman’s ‘(Selected) History of the Space Time Continuum’; Ryan and Trevor Oakes’ drawings exploring perspective; Tristan Duke’s scratch holograms; and Julianne Swartz’ trembling, rattling ‘Bone Scores’.
Three works from the Hall Foundation by Anselm Kiefer, one of which immediately physically connected with Kilmahew.
CHRIS FREMANTLE 
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