CHRIS FREMANTLE

What art have I seen? Peter Kennard

Posted in Exhibitions by chrisfremantle on August 18, 2024

Archive of Dissent at Whitechapel. We agreed that some more of the context, of Greenham Common for instance, could have been good. Somehow everything being ‘the work’ misses the point of collage maybe? If collage is the recomposition of reality, should the exhibition be only the collages when they become historical?

Tagged with: ,

What art have I seen? Collage

Posted in Exhibitions by chrisfremantle on October 11, 2019

What art have I seen?

Posted in Exhibitions by chrisfremantle on April 26, 2013

Schwitters in Britain at the Tate Britain.

Schwitters after Duchamp yesterday evoked a further set of relationships.  Fascinating to see these two masters of the 20th Century, one sometimes derided and the other not well known.  The Duchamp exhibition, well described here, is explicitly about influence.  The Schwitters exhibition is a more traditional historical narrative shaped by geography and war.  It has two contemporary responses Laure Prouvost and Adam Chodzko attached at the end.  There are also interesting similarities in the exhibition design, though the Barbican is perhaps more compelling.

Peter McCaughey reminded me, Schwitters’ interest was achieving the smallest, shortest, gap between idea and realisation (“Merz art strives for immediate expression by shortening the path from intuition to visual manifestation of the artwork” Merz Painting, 1919 http://en.wikiquote.org/wiki/Kurt_Schwitters).  What is the relationship between Schwitters and Latham?  One second drawings?