CHRIS FREMANTLE

Two rooms of the most compelling charcoal drawing. What if you keep working on a charcoal drawing for a week or a year? There is a comment about the improvisation only coming at the end, adding a stoke or two of vivid pink or blue to something monochrome.

It seems trite to say there is an unstintingness to this work. If you are looking for experiments in medium or form, or the notion of craft, the tedious act… see recent review from Washington Post, thank you Tim Collins… This is those things. It isn’t an exhibition about ‘now’, the anthropocene, and it isn’t elevating an overlooked group. It isn’t ecological or social but it is creating a world in common.