This is a diary recording exhibitions I've seen, interesting arts & health projects and my own failures and interesting references to failure. If you want to know the types of work I do please look at the About page here.
“Better late than never” This review from Marc Herbst, Co-editor of the Journal of Aesthetics & Protest explores art and activism at the time of COP26. Climate Crossroads by the Human Impact InstituteCentre for Contemporary Arts, Glasgow, November 2 – November 4, 2021 Court for Intergenerational Climate Crimes By Radha D’Souza and Jonas Staal Framer... C […]
When entering Robyn Woolston’s recent solo exhibition Yours, in Extraction, the first word viewers see is “EMERGENCY.” The word is emblazoned on a stack of ‘Emergency Beacons’ stacked in the middle of the gallery at Fort Worth Contemporary Arts (Art Galleries at TCU). The beacons are tall, black, poles topped with blue lights that immediately... Continue Rea […]
It’s been a while since we’ve posted on ecoartscotland. Several pieces are in the pipeline. Earlier this year The Barn, Banchory, ran a second iteration of Becoming Earthly. Following the first iteration of Becoming Earthly, ecoartscotland published a blog by David Haley. Following the second iteration this year, together with The Barn, we commissioned two.. […]
In a previous piece for ecoartscotland Beverly Naidus, Artist/Writer/Activist/Facilitator/Co-learner, reported on her 2017 visit to the zad. Here Beverly reflects on the publication from Pluto Press We Are ‘Nature’ Defending Itself: entangling art, activism and autonomous zones (WANDI), the recently published text from Isabelle Fremeaux and Jay Jordan. The t […]
How can we understand and experience changes in the arctic oceans caused by climate breakdown? Dr. Inge Panneels, artist and research fellow at Edinburgh Napier University/Creative Informatics initiative, reflects on Ocean ARTic – of artists and climate scientists collaborating and focused by the Glasgow Climate Talks (COP26). The project was developed by th […]
[…] much earlier failure was not managing to deliver the tenth edition of the Scottish Sculpture Open. That should have […]