What art have I seen?
Sarah Kenchington’s Wind Pipes, 2013. Photo Chris Fremantle
Sarah Kenchington’s Wind Pipes for Edinbugh
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CHRIS FREMANTLE
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- A Call to Farms: SW Scotland
- A co-operative future
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- Iron Conference: the art of recidivism?
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- John Latham
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from ecoartscotland.net
- Adriana Ford #art4wetlands on WetlandLIFE at RamsarCOP13 February 2, 2019For World Wetlands Day, Adriana Ford reports on the WetlandLIFE project’s side event at the Ramsar Convention on Wetlands in Dubai and how it was received. Highlighting the various contributions (on the Community Voice Method and by two of the artists Victoria Leslie and Kerry Morrison), Adriana goes on to report on the responses from […]
- Ecology, Environment, Sustainability… 2019 December 31, 2018Clive Adams, writing to Sir Nick Serota (Chair of Arts Council England) on behalf of the Arts and Environment network at the Chartered Institute of Water and Environmental Management (CIWEM), says, The latest UN IPCC report has announced that we have only 12 years to avert climate change catastrophe. Yet, despite the evidence of the […]
- Creative Carbon Scotland Embedded Artist #artopps December 12, 2018Creative Carbon Scotland is the lead partner in an EU-funded project Cultural Adaptations. As part of this we are seeking an experienced artist to be ‘embedded’ within and to influence the work of Climate Ready Clyde as it develops and implements a climate change adaptation strategy for Glasgow City Region. Deadline 5pm on Friday 11th […]
- PhD by Practice – The Ecological Turn: Living Well with forests to explain eco-social art practices November 22, 2018Originally posted on The Hollywood Forest Story : An Eco-Social Art Practice | Co. Carlow Ireland: Cathy Fitzgerald celebrating with a beautiful NZ tree fern at University College Dublin, 19 November 2018. I’m delighted to announce that this week I was conferred with a PhD by Practice in Visual Culture at the National College of Art and…
- Valuing Nature: what do artists contribute? November 12, 2018Artists have been valuing nature probably since we first marked the wall of a cave or whistled like a bird – artists have always rendered nature visible. Artists valuing nature have explored human ‘value’ (Monet’s Haystacks and Turner’s Rain, Steam and Speed both render human use of nature visible), but they have also articulated human […]
My Networks
- Ayr Converses
- Ayrshire Arts Network
- CORE
- Curatorial Network
- EcoArt Network
- Greenmuseum.org
- Greenspace Scotland
- On The Edge Research
- PAR+RS
- Public Art Online
- Scottish Artists Union
- VAGA
- Visiting Arts
- Voluntary Arts Scotland
- Yasmin
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