What art have I seen? Sunken Cities

Posted in Exhibitions by chrisfremantle on October 12, 2016

Sunken Cities at the British Museum. Jake pointed out that the pitch the Lighting Designer made was to give a sense of being underwater with strong directional pools of light. It’s too much – the shadows on this utterly astounding carving of a woman with a diaphonous dress was so bad there were big areas in shadow.

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This is a diary recording exhibitions I've seen, interesting arts & health projects and my own failures and interesting references to failure. If you want to know the types of work I do please look at the About page here.

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from ecoartscotland.net

Bibliography on critical approaches to toxics and toxicity July 10, 2017
Originally posted on Discard Studies: Critical approaches are those that question premises, assumptions, and ways that things become normal or stable. Toxicity, toxins, and toxicants are areas of critical concern because controversies over what they mean, how they act, how they come into being and where, and what counts as evidence have high stake ramificati […]
Climate Change’s Place in Literature June 22, 2017
Originally posted on Artists & Climate Change: Climate change does not feature prominently in the landscape that comprises literary fiction. When the subject does appear, it is far more likely to be in nonfiction work. Sadly, the writers who write science fiction, the genre to which climate change has been relegated, are not taken seriously…
Call for Artists: WetlandLIFE June 7, 2017
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Anne Douglas – Low Carbon Futures: what have the arts and humanities got to do with it? May 30, 2017
How many lawyers does it take to make Scotland low carbon? How many artists? You might think it doesn’t matter – it’s the scientists, engineers and politicians who will make the difference. But increasingly it is recognised that our addition to fossil fuels is as much cultural as it is infrastructural. Single occupancy car use […]
The Same Hillside May 25, 2017
It was a seemingly unlikely pair forming the panel after the Crypic Nights premier of The Same Hillside at the Centre for Contemporary Art in Glasgow. The one who looked like a farmer (checked shirt and flat cap) was the documentary film-maker John Wallace, the other (long hair and beard a t-shirt with a ‘pirate’ […]

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CHRIS FREMANTLE