What art have I seen? Mark Dion’s Theatre of the Natural World
Mark Dion’s Theatre of the Natural World at the Whitechapel, enjoyed with Reiko Goto and Tim Collins.
CHRIS FREMANTLE
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from ecoartscotland.net
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- Art and Activism towards COP – Guest Review by Marc Herbst February 3, 2023“Better late than never” This review from Marc Herbst, Co-editor of the Journal of Aesthetics & Protest explores art and activism at the time of COP26. Climate Crossroads by the Human Impact InstituteCentre for Contemporary Arts, Glasgow, November 2 – November 4, 2021 Court for Intergenerational Climate Crimes By Radha D’Souza and Jonas Staal Framer... C […]
- Shelby Bennett reviews Robyn Woolston’s ‘Yours, in Extraction’ January 12, 2023When entering Robyn Woolston’s recent solo exhibition Yours, in Extraction, the first word viewers see is “EMERGENCY.” The word is emblazoned on a stack of ‘Emergency Beacons’ stacked in the middle of the gallery at Fort Worth Contemporary Arts (Art Galleries at TCU). The beacons are tall, black, poles topped with blue lights that immediately... Continue Rea […]
- Erika Cann and Siân Goldby: Towards a geological-artistic practice November 6, 2022It’s been a while since we’ve posted on ecoartscotland. Several pieces are in the pipeline. Earlier this year The Barn, Banchory, ran a second iteration of Becoming Earthly. Following the first iteration of Becoming Earthly, ecoartscotland published a blog by David Haley. Following the second iteration this year, together with The Barn, we commissioned two.. […]
- Beverly Naidus reviews ‘We are nature defending itself’ May 26, 2022In a previous piece for ecoartscotland Beverly Naidus, Artist/Writer/Activist/Facilitator/Co-learner, reported on her 2017 visit to the zad. Here Beverly reflects on the publication from Pluto Press We Are ‘Nature’ Defending Itself: entangling art, activism and autonomous zones (WANDI), the recently published text from Isabelle Fremeaux and Jay Jordan. The t […]
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CHRIS FREMANTLE 
Hoping to get tickets for the Theatre of the Natural World and to responding to the invitation to ‘Ask the Wild’ and ‘Feral Practice’ collaboration the urgent questions pre-occupying me in the Contact Zone of the Scottish Beaches