What art have I seen? David Nash
The blue of Blue Column (2017) is so intense it vibrates on the page
The red of the sequoia wood in Red Around Black (2017) is so dense it could be corten steel
CHRIS FREMANTLE
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- About
- Blog
- Initiatives
- Producing, Project Managing, Researching
- Writing
- A Call to Farms: SW Scotland
- A co-operative future
- Bob Dylan acknowledges a debt
- Habitat for…
- Half-Life
- Interview: Wilhelm Scherubl (2000)
- Sweeping
- Iron Conference: the art of recidivism?
- Place of Origin
- John Latham
- Soil: A Virtue
- Not place but context
- Soil
- Earthworks, Brian Aldiss
- On The Edge (Phase 1) Papers
- Exploring Places
from ecoartscotland.net
- Earth Climate Scotland – Viviana Cecchia
- Earth Climate Scotland – Deirdre O’Mahony
- Guest Essay: Cabrach Reconnections, an art project investigating how people live in a specific place
- Guest Review – Dave Pritchard on ‘See Here Now: Art in a Time of Urgency’
- Enacting Gregory Bateson’s Ecological Aesthetics in Architecture and Design
- Reblog: For John Fox
- A review of ‘Ecoart in Action: Activities, Case Studies and Provocations for Classrooms and Communities’
- Review of ‘Thinking with the Harrisons’
- Guest Blog: What happened to celebrate World Bog Day? A report from the Shetland Isles
- ‘Conversational Drift’ keynote programme for ‘Helen and Newton Harrison California Work’ exhibition
My Networks
- Ayr Converses
- Ayrshire Arts Network
- CORE
- Curatorial Network
- EcoArt Network
- Greenmuseum.org
- Greenspace Scotland
- On The Edge Research
- PAR+RS
- Public Art Online
- Scottish Artists Union
- VAGA
- Visiting Arts
- Voluntary Arts Scotland
- Yasmin
CHRIS FREMANTLE 
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