What art have I seen? David Nash
The blue of Blue Column (2017) is so intense it vibrates on the page
The red of the sequoia wood in Red Around Black (2017) is so dense it could be corten steel
CHRIS FREMANTLE
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from ecoartscotland.net
- Erika Cann and Siân Goldby: Towards a geological-artistic practice November 6, 2022It’s been a while since we’ve posted on ecoartscotland. Several pieces are in the pipeline. Earlier this year The Barn, Banchory, ran a second iteration of Becoming Earthly. Following the first iteration of Becoming Earthly, ecoartscotland published a blog by David Haley. Following the second iteration this year, together with The Barn, we commissioned two.. […]
- Beverly Naidus reviews ‘We are nature defending itself’ May 26, 2022In a previous piece for ecoartscotland Beverly Naidus, Artist/Writer/Activist/Facilitator/Co-learner, reported on her 2017 visit to the zad. Here Beverly reflects on the publication from Pluto Press We Are ‘Nature’ Defending Itself: entangling art, activism and autonomous zones (WANDI), the recently published text from Isabelle Fremeaux and Jay Jordan. The t […]
- Inge Panneels on ‘Ocean ARTic’, ecoart, and big data April 13, 2022How can we understand and experience changes in the arctic oceans caused by climate breakdown? Dr. Inge Panneels, artist and research fellow at Edinburgh Napier University/Creative Informatics initiative, reflects on Ocean ARTic – of artists and climate scientists collaborating and focused by the Glasgow Climate Talks (COP26). The project was developed by th […]
- BD Owens reviews ‘Assuming the Ecosexual Position’ by Beth Stephens and Annie Sprinkle December 27, 2021Beth Stephens and Annie Sprinkle have taught us all more about ecosexuality than perhaps any other artists. Their new book Assuming the Ecosexual Position: The Earth As Lover, reviewed by BD Owens, opens up their development of this practice in new, joyful ways. BD’s review of their film Water Makes Us Wet has been very widely... Continue Reading →
- Becoming Earthly 2022 November 26, 2021Gravity and Movement Doubt and Pleasure Lament and Improvisation Shame and Play Closing date for applications: 29 November at 5pm. Becoming Earthly 2022 will be the second iteration of the Barn’s online programme of six sessions, each 2 hours in length, delivered via Zoom. Four sessions will be hosted by different thought leaders. This year... Continue Readi […]
My Networks
- Ayr Converses
- Ayrshire Arts Network
- CORE
- Curatorial Network
- EcoArt Network
- Greenmuseum.org
- Greenspace Scotland
- On The Edge Research
- PAR+RS
- Public Art Online
- Scottish Artists Union
- VAGA
- Visiting Arts
- Voluntary Arts Scotland
- Yasmin
CHRIS FREMANTLE 
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