What art have I seen? David Nash
The blue of Blue Column (2017) is so intense it vibrates on the page
The red of the sequoia wood in Red Around Black (2017) is so dense it could be corten steel
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CHRIS FREMANTLE
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- About
- Blog
- Initiatives
- Producing, Project Managing, Researching
- Writing
- A Call to Farms: SW Scotland
- A co-operative future
- Bob Dylan acknowledges a debt
- Habitat for…
- Half-Life
- Interview: Wilhelm Scherubl (2000)
- Sweeping
- Iron Conference: the art of recidivism?
- Place of Origin
- John Latham
- Soil: A Virtue
- Not place but context
- Soil
- Earthworks, Brian Aldiss
- On The Edge (Phase 1) Papers
- Exploring Places
from ecoartscotland.net
- Sir Peter Scott: the embodiment of art and conservation July 11, 2018As part of the #art4wetlands series the Wildfowl & Wetlands Trust (WWT) have very kindly provided us with the following images and story on their founder, artist and conservationist Sir Peter Scott. Sir Peter epitomises one of the many ways that the power of art can be brought to bear on the challenges of conservation. […]
- #art4wetlands June 20, 2018Welcome to a new series of posts here and on Twitter @ecoartscotland focused on art, artists and wetlands using the hashtag #art4wetlands. Feel free to join in by posting using this hashtag or contacting us with suggestions for blogs. We’ll be publishing weekly between now and the Ramsar Convention Conference of the Parties #RamsarCOP13 which […]
- Kate Foster: Engaging with peatland restoration – Embedded Art practices within Landscape Partnerships May 12, 2018As artists, we (Kerry Morrison and Kate Foster) have discovered a common purpose of embedding ecological artistic practice and research within peat landscape restoration projects. This post invites readers to ‘watch this space’ for how we are, and will be, involved in restoration work on blanket peatland and raised bogs that will be carried out […]
- Sarah Gittins reviews ‘Marlene Creates: Places, Paths, and Pauses’ May 10, 2018Introduction The monograph Marlene Creates: Places, Paths, and Pauses was published last year to coincide with a touring retrospective of the work of Marlene Creates, co-curated by Susan Gibson Garvey and Andrea Kunard. The exhibition was organised by the Beaverbrook Art Gallery in partnership with Dalhousie Art Gallery, it launched in September 2017 and is […]
- John Thorne: Psychology, Creative Practice and Climate Change April 18, 2018This blog comes to you from John Thorne. John is Sustainability Coordinator at Glasgow School of Art. Here he opens up issues which frame Saturday’s Climate Psychology Association Scotland 1st Annual Conference: From the personal to the social: Climate psychology and the sense of responsibility. Booking here. We live in a time of great anxiety […]
My Networks
- Ayr Converses
- Ayrshire Arts Network
- CORE
- Curatorial Network
- EcoArt Network
- Greenmuseum.org
- Greenspace Scotland
- On The Edge Research
- PAR+RS
- Public Art Online
- Scottish Artists Union
- VAGA
- Visiting Arts
- Voluntary Arts Scotland
- Yasmin
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