Anne Douglas produced Calendar Variations as a project amongst a group of researcher artists including Reiko Goto, Georgina Barney, Fiona Hope, Jono Hope, Janet McEwan, Chu Chu Yuan and myself.
Anne took Allan Kaprow’s Activity entitled ‘Calendar’ as a starting point, asking all the participants to respond individually to the text. We then came together for two days to negotiate a collective response. As a collective we explored what might be considered the minimum intervention – walking a square into long grass. We did this at The Barn in Banchory (above).
My own work with ‘Calendar’ is documented here and below are a pair of works that resulted from an analysis. Other drawings explore wet and dry (proxies for life and death) in various ways. I also did a curatorial exercise documented here.
Chris Fremantle, CV, Acrylic and Pencil (2015) installed as part of Staff Outing exhibition, Look Again Space, 2018.Calendar Variations publication
More recently I discovered that Jupiter Artland had also invited some artists (Andrea Büttner, James Hoff, Peter Liversidge, Cinzia Mutigli, members of ORBIT Youth Council and the Wilson family) to respond to Kaprow’s Scores and Activities. You can see their work here.
Kaprow’s Scores and Activities are one of the inspirations for a book coming out of the ecoart network to be published in 2022 by New Village Press. The book, entitled Ecoart in Action, comprises contributions by 67 artists. The contributions are all exercises, recipes or instructions for activities; case studies of activities; or provocations towards developing activities. Some are more literal than Kaprow’s, with obvious pedagogical outcomes. Others are elliptical and open-ended like Kaprow’s, leaving those undertaking to work out what might be learnt or done for themselves.
Kaprow continues to inspire.
This is a diary recording exhibitions I've seen, interesting arts & health projects and my own failures and interesting references to failure. If you want to know the types of work I do please look at the About page here.
How can we understand and experience changes in the arctic oceans caused by climate breakdown? Dr. Inge Panneels, artist and research fellow at Edinburgh Napier University/Creative Informatics initiative, reflects on Ocean ARTic – of artists and climate scientists collaborating and focused by the Glasgow Climate Talks (COP26). The project was developed by th […]
Beth Stephens and Annie Sprinkle have taught us all more about ecosexuality than perhaps any other artists. Their new book Assuming the Ecosexual Position: The Earth As Lover, reviewed by BD Owens, opens up their development of this practice in new, joyful ways. BD’s review of their film Water Makes Us Wet has been very widely... Continue Reading →
Gravity and Movement Doubt and Pleasure Lament and Improvisation Shame and Play Closing date for applications: 29 November at 5pm. Becoming Earthly 2022 will be the second iteration of the Barn’s online programme of six sessions, each 2 hours in length, delivered via Zoom. Four sessions will be hosted by different thought leaders. This year... Continue Readi […]
ecoartscotland has been supporting MASTS’ Ocean Artic project and this is an opportunity to catch up with artists’ Michael Begg and Eve Mosher’s work in response to the challenge to work with marine and in particular arctic climate researchers. Booking on Eventbrite At Creavitve Infomatics Lab 19 we’ll be showcasing two incredible new creative works... Conti […]
We are reproducing the Statement issued 7th October 2021 by Culture Declares in full. ecoartscotland fully supports this statement. We call on arts institutions, particularly the Boards and senior managements, to fully engage with the Culture Declares ‘call to action’. October 7, 2021 Statement from Culture Declares Emergency on COP26 KEY MESSAGES We are a […]
from ecoartscotland.net
CHRIS FREMANTLE 
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