Anne Douglas produced Calendar Variations as a project amongst a group of researcher artists including Reiko Goto, Georgina Barney, Fiona Hope, Jono Hope, Janet McEwan, Chu Chu Yuan and myself.
Anne took Allan Kaprow’s Activity entitled ‘Calendar’ as a starting point, asking all the participants to respond individually to the text. We then came together for two days to negotiate a collective response. As a collective we explored what might be considered the minimum intervention – walking a square into long grass. We did this at The Barn in Banchory (above).
My own work with ‘Calendar’ is documented here and below are a pair of works that resulted from an analysis. Other drawings explore wet and dry (proxies for life and death) in various ways. I also did a curatorial exercise documented here.
Chris Fremantle, CV, Acrylic and Pencil (2015) installed as part of Staff Outing exhibition, Look Again Space, 2018.Calendar Variations publication
More recently I discovered that Jupiter Artland had also invited some artists (Andrea Büttner, James Hoff, Peter Liversidge, Cinzia Mutigli, members of ORBIT Youth Council and the Wilson family) to respond to Kaprow’s Scores and Activities. You can see their work here.
Kaprow’s Scores and Activities are one of the inspirations for a book coming out of the ecoart network to be published in 2022 by New Village Press. The book, entitled Ecoart in Action, comprises contributions by 67 artists. The contributions are all exercises, recipes or instructions for activities; case studies of activities; or provocations towards developing activities. Some are more literal than Kaprow’s, with obvious pedagogical outcomes. Others are elliptical and open-ended like Kaprow’s, leaving those undertaking to work out what might be learnt or done for themselves.
Kaprow continues to inspire.
This is a diary recording exhibitions I've seen, interesting arts & health projects and my own failures and interesting references to failure. If you want to know the types of work I do please look at the About page here.
“Better late than never” This review from Marc Herbst, Co-editor of the Journal of Aesthetics & Protest explores art and activism at the time of COP26. Climate Crossroads by the Human Impact InstituteCentre for Contemporary Arts, Glasgow, November 2 – November 4, 2021 Court for Intergenerational Climate Crimes By Radha D’Souza and Jonas Staal Framer... C […]
When entering Robyn Woolston’s recent solo exhibition Yours, in Extraction, the first word viewers see is “EMERGENCY.” The word is emblazoned on a stack of ‘Emergency Beacons’ stacked in the middle of the gallery at Fort Worth Contemporary Arts (Art Galleries at TCU). The beacons are tall, black, poles topped with blue lights that immediately... Continue Rea […]
It’s been a while since we’ve posted on ecoartscotland. Several pieces are in the pipeline. Earlier this year The Barn, Banchory, ran a second iteration of Becoming Earthly. Following the first iteration of Becoming Earthly, ecoartscotland published a blog by David Haley. Following the second iteration this year, together with The Barn, we commissioned two.. […]
In a previous piece for ecoartscotland Beverly Naidus, Artist/Writer/Activist/Facilitator/Co-learner, reported on her 2017 visit to the zad. Here Beverly reflects on the publication from Pluto Press We Are ‘Nature’ Defending Itself: entangling art, activism and autonomous zones (WANDI), the recently published text from Isabelle Fremeaux and Jay Jordan. The t […]
How can we understand and experience changes in the arctic oceans caused by climate breakdown? Dr. Inge Panneels, artist and research fellow at Edinburgh Napier University/Creative Informatics initiative, reflects on Ocean ARTic – of artists and climate scientists collaborating and focused by the Glasgow Climate Talks (COP26). The project was developed by th […]
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