Skip to content

Skip to search - Accesskey = s

About

Receive stuff by email

Search stuff

Stuff is categorised

Pages

• About
• Blog
• Initiatives
• Producing, Project Managing, Researching
  • Design in Action 2014-2017
  • Nil by Mouth 2013-14
  • New South Glasgow Hospitals 2010-2016
  • NHSGGC New Victoria and New Stobhill Hospitals 2008-09
  • The Artist as Leader 2006-08
  • Greenhouse Britain: Losing Ground, Gaining Wisdom 2006-08
  • Remember Saro-Wiwa 2006-08
  • Place of Origin 1996-2003
• Writing
  • A Call to Farms: SW Scotland
  • A co-operative future
  • Bob Dylan acknowledges a debt
  • Habitat for…
  • Half-Life
  • Interview: Wilhelm Scherubl (2000)
  • Sweeping
  • Iron Conference: the art of recidivism?
  • Place of Origin
  • John Latham
  • Soil: A Virtue
  • Not place but context
  • Soil
  • Earthworks, Brian Aldiss
  • On The Edge (Phase 1) Papers
• Exploring Places
  • Two violences
  • Calendar Variations (ongoing)
  • Anger/Cancer drawings
  • Ponds (2009)
  • By Leaves We Live (2011)
  • Carron Ravenscraig Glengarnock (2004, 2009)
  • Extraordinary Rendition (2005)
  • Ayr Puns (2008 ongoing)

from ecoartscotland.net

• Ecoart in Action: Activities, Case Studies, and Provocations for Classrooms and Communities March 13, 2023
  Ecoart in Action was published in 2022 and has now been featured in the e-flux Art&Education database. The book captures the scope of issues that art and ecology intersects with – the first contribution is on the need for media literacy in relation to environment and politics, and the last is concerned with how to... Continue Reading →
• Art and Activism towards COP – Guest Review by Marc Herbst February 3, 2023
  “Better late than never” This review from Marc Herbst, Co-editor of the Journal of Aesthetics & Protest explores art and activism at the time of COP26. Climate Crossroads by the Human Impact InstituteCentre for Contemporary Arts, Glasgow, November 2 – November 4, 2021 Court for Intergenerational Climate Crimes By Radha D’Souza and Jonas Staal Framer... C […]
• Shelby Bennett reviews Robyn Woolston’s ‘Yours, in Extraction’ January 12, 2023
  When entering Robyn Woolston’s recent solo exhibition Yours, in Extraction, the first word viewers see is “EMERGENCY.” The word is emblazoned on a stack of ‘Emergency Beacons’ stacked in the middle of the gallery at Fort Worth Contemporary Arts (Art Galleries at TCU). The beacons are tall, black, poles topped with blue lights that immediately... Continue Rea […]
• Erika Cann and Siân Goldby: Towards a geological-artistic practice November 6, 2022
  It’s been a while since we’ve posted on ecoartscotland. Several pieces are in the pipeline. Earlier this year The Barn, Banchory, ran a second iteration of Becoming Earthly. Following the first iteration of Becoming Earthly, ecoartscotland published a blog by David Haley. Following the second iteration this year, together with The Barn, we commissioned two.. […]
• Beverly Naidus reviews ‘We are nature defending itself’ May 26, 2022
  In a previous piece for ecoartscotland Beverly Naidus, Artist/Writer/Activist/Facilitator/Co-learner, reported on her 2017 visit to the zad. Here Beverly reflects on the publication from Pluto Press We Are ‘Nature’ Defending Itself: entangling art, activism and autonomous zones (WANDI), the recently published text from Isabelle Fremeaux and Jay Jordan. The t […]

My Networks

• Ayr Converses
• Ayrshire Arts Network
• CORE
• Curatorial Network
• EcoArt Network
• Greenmuseum.org
• Greenspace Scotland
• On The Edge Research
• PAR+RS
• Public Art Online
• Scottish Artists Union
• VAGA
• Visiting Arts
• Voluntary Arts Scotland
• Yasmin

Time travel

Meta

• Register
• Log in
• Entries feed
• Comments feed
• WordPress.com

Follow me on Twitter