CHRIS FREMANTLE

What art have I seen? Who’s afraid of drawing?

Posted in Exhibitions by chrisfremantle on May 1, 2019

Works on Paper from the Ramo Collection at the Estorick Collection.

Drawing from Italy between 1910 and 1990. Abstract, figurative, with words and in relation to sculpture.

Talking to my cousin last night, we discussed how small exhibitions, well curated, can have more significance than their scale.

This exhibition covers periods where Italy was having huge influence on the world, at the time of the Futurists after the First World War, and again in the 60s when, alongside Arte Povera, Italy was a political maelstrom and fashionable too. Another cousin (it was an evening of cousins) said, just think about photos of young Italians on beaches in the Sixties, the height of chic, and it was the same country that had the largest Communist Party outside of the Soviet Union.

And then there was fascism, Futurism slipping into questions of power and technology, Il Duce, etc.

It’s all there in the selection of drawings: designs for facades of Fascist headquarters, pseudo neo classical Saints, but also found and distressed objects as drawings, satire, cinema, mathematics… all life in fact. Every approach to making drawings. As the curatorial statement says,

Drawing – considered as any kind of work on paper, regardless of technique – is the load-bearing skeleton for much creative experimentation, a medium favoured by painters and sculptors that often represents the first visualization of an idea.

What I didn’t see was any reflection on collecting, which could have been brought out in the relation between the permanent (Estorick) collection and the visiting (Ramo) collection. This could have happened by highlighting which artists exist in both suites, leading to hurried journey’s between floors, but also by some comparison of the conditions of collecting, the motivations of collectors.

Having been listening to the Collect Wisely podcast with Pamela Joyner, the concerns of collectors, their ambitions and motivations, are vital to understanding the body of the collection.

What art have I seen? Leonardo Drawings

Posted in Exhibitions by chrisfremantle on April 1, 2019

Leonardo da Vinci Drawings at the Kelvingrove, Glasgow

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What art have I seen? From Life

Posted in Uncategorized by chrisfremantle on January 3, 2018

From Life at the Royal Academy – centred around Jeremy Deller’s Iggy Pop Life Class it also included the brilliant film by Cia Gou-Qiang – One Thousand Youngsters Drawing David.

Tended to agree with Timeout review that it was not brilliantly curated – last two rooms a bit of a guddle. Better to have more of Michael Landy’s portraits and fewer other bits and pieces.

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What art have I seen? Drawn into tomorrow

Posted in Exhibitions by chrisfremantle on January 19, 2016
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What art have I seen? Schiele and Johns

Posted in Exhibitions by chrisfremantle on December 6, 2014

The Courtauld has two fascinating exhibitions – Egon Schiele The Radical Nude and Jasper Johns Regrets. This analysis of the Johns exhibition from its showing at MoMA in New York is worth reading.

Cybernetics (human machine interfaces)

Posted in Exhibitions by chrisfremantle on November 27, 2009

The Perpetual Storytelling Apparatus is a work by Julius von Bismark and Benjamin Maus.  It explores the possibilities of drawing as copying, as semantic, as mechanical, as technical, as legal, as durational, etc..

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