CHRIS FREMANTLE

What art have I seen? Katie Paterson’s Requiem

Posted in Exhibitions by chrisfremantle on June 11, 2022

At the Ingleby Gallery, Edinburgh.

Brilliant evocation of time and existence. If as David Antin said,

The idea of an ecological art is the idea of an art that articulates dependencies, its own condition for existence or those of the world.

ANTIN, D., 1970. Art + Ecology. ArtNews.

This is surely a genuinely ecological work, drawn out beautifully in Zalazewisz’s accompanying notes.

It also speaks to changes of state – each small vessel is only able to represent a facet of the materiality of time because of the technoscientific processes of isolation, but what is fragmented must eventually come back together, and so it does. Robert Smithson would have told the story of this work through the idea of entropy. The end result, much like the final end of the solar system in billions of years is a bowl of mixed up dust, all the energy dissapated.

What art have I seen? Fluctuations in Elliptical Form

Posted in Exhibitions by chrisfremantle on February 6, 2022
(detail) Fluctuations in Elliptical Form (I) courtesy of the Gallery

James Hugonin at the Ingleby Gallery in Edinburgh. Had the good fortune to sit and talk with James in the gallery with his works. We discussed the pattern, the system and the hand. He mention that someone has just written about his work in relation to AI. We talked about Sol Lewitt and in particular Sentence 28

Once the idea of the piece is established in the artist’s mind and the final form is decided, the process is carried out blindly. There are many side effects that the artist cannot imagine. These may be used as ideas for new works.

Sol Lewitt Sentences on Conceptual Art 1969

We discussed the propositional (ie not deterministic) character of this sentence in relation to the role of the hand, including in Lewitt’s wall drawings.

Now I’m discovering the work of Julius Eastman.

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