CHRIS FREMANTLE

At the Ingleby Gallery, Edinburgh.

Brilliant evocation of time and existence. If as David Antin said,

The idea of an ecological art is the idea of an art that articulates dependencies, its own condition for existence or those of the world.

ANTIN, D., 1970. Art + Ecology. ArtNews.

This is surely a genuinely ecological work, drawn out beautifully in Zalazewisz’s accompanying notes.

It also speaks to changes of state – each small vessel is only able to represent a facet of the materiality of time because of the technoscientific processes of isolation, but what is fragmented must eventually come back together, and so it does. Robert Smithson would have told the story of this work through the idea of entropy. The end result, much like the final end of the solar system in billions of years is a bowl of mixed up dust, all the energy dissapated.