What art have I seen? In the eddy of the stream

Posted in Exhibitions by chrisfremantle on September 8, 2022

Cooking Sections and Sakiya’s exhibition at Inverleith House in the Royal Botanic Gardens Edinburgh is as good an example of putting the wellbeing of the web if life first – the challenge Helen Mayer Harrison (1927-2018) and Newton Harrison (1932-2022) set themeselves in the early 70s and which is now clearly the challenge for all of us.

Cooking Sections “is a practice that examines the systems that organise the world through food, and how food can be used to explore, trace and advance climate justice.” Sakiya “is an academy, a residency programme, a research hub, and a farm located in Ein Qiniya, a small agricultural village seven kilometres west of Ramallah, in Israeli-occupied Palestinian territory… By grafting local traditions of self-sufficiency onto contemporary art and ecological practices, Sakiya seeks to create new narratives around relationships to land, knowledge-production, and commoning.” (Sakiya are also working with Arts Catalyst and have a residency opportunity at the moment.)

Cooking Sections have been working in Scotland and in particular on the Isle of Skye for some years now – Emma Nicolson first worked with them on the Climavore project when she was the Director of Atlas, and she has curated this in her role of Head of Creative Programmes for the Royal Botanic Gardens Edinburgh. This enduring connection is significant.

The exhibition “…draws attention to the breakdown of ecosystems through the removal of plants and the ensuing long-term harm to people, communities, and other species.”

There is an important set of proposals around commoning which directly relate to Newton Harrison’s On the Deep Wealth of this Nation, Scotland. Where that work proposes understanding the soil, water, air and forests of Scotland as commons that we are dependent upon and asks for a ‘commons of mind’ to commit to putting back more than we take out, the proposals around commons in this exhibition include that the whole intertidal zone of Scotland should be established as a commons and that a Scottish Office for Commoning should be established. This proposal needs published as a full page pull out in the Highland Free Press or another widely distributed publication.

Commoning proposals, In the eddy of a stream exhibition Royal Botanic Gardens Edinburgh 2022

This forms one part of a series of installations focusing on salmon and forests, mussels and muscles, oysters and terrazzo. Each reveals an aspect of an ecology and a different way of imagining exchange and reuse rather than extraction. Some like the work on seaweeds and shellfish is being developed to a functional scale to offer alternatives to industrial fish farming which is destroying coastal waters in the Highlands.

Deborah Bird Rose talks about the two violences of colonialism – the violence to people and the violence to the environment. Sakiya’s installation focuses on the violence to the environment done by British colonial rule of Palestine even before the imposition of the state of Israel. The British colonial administration ruled that a large number of culturally significant plants were weeds to be exterminated. The main display is of botanical specimens of 33 plants, their cultural significance and their ecological role. Another remarkable creation in the exhibition is a carved wood frieze of these plants, reminiscent of a plaster cornice. Throughout Inverleith House we can hear singing. The installation in the final room echoes through the whole space, lamenting ecological and cultural loss.

In the eddy of the stream judiciously uses whimsical and suprising installations as well as scientific data (highlighting what we know as well as what we don’t know) and beautifully crafted elements – these works hold the challenging evidence of human ignorance of and violence to ecosystems in a way that draws us into careful attention through an experience that is rich and rewarding.

Mussels and Muscles

Last light on a Granny Pine in Black Rannoch Wood, Thurs 21 November, 2013

Posted in News, Research by chrisfremantle on November 27, 2013
Tagged with: , ,


Posted in Research, Sited work by chrisfremantle on September 18, 2009
Tagged with:


Posted in Exhibitions, Texts by chrisfremantle on September 7, 2009

Forest Tunes, The Library, 1995-2008 by Shai Zakai

Can remember when I was reading this.  Think it was 9 months ago when I was trying to persuade Rozelle Maclaurin to show this important work.  Located as they are in parkland, it seemed to me an interesting and worthwhile exhibition around which a stimulating series of events could have been organised, a sort of arborischool, with speakers like Richard Mabey, David Haley and Thomas Pakenham, as well as local rangers, academics from Auchincruive, etc.

I think its at the Centre for Contemporary Art and the Natural World this autumn.

Tagged with:

What Art have I seen?

Posted in Exhibitions by chrisfremantle on September 2, 2009

Imaging the Forest at the British Museum

Dinabandhu Mahapatra’s Trees of Orissa.  A painting on silk representing all the trees of the region of Orissa.  Some are very much icons, others are more representational.  This work, made in the early 1980s, was as I understood it part of a response by a particular patron to the loss of traditional crafts.  It is a response to the 12th Century poem, the Gitagovinda, which tells the story of Krishna and Radha.  The forest is a place where the social rules are more relaxed and Krishna can carry on with his favourite female cowherds.

Tagged with:

All the trees…

Posted in CF Writing by chrisfremantle on July 4, 2009
Tagged with:
%d bloggers like this: