What art have I seen?

Posted in Exhibitions, Sound by chrisfremantle on October 14, 2011

At the Wellcome Collection this morning:

Bill Fontana’s White Sound: an Urban Seascape;

Felicity Powell’s A Charmed Life: The Solace of Objects;

Infinitas Gracias: Mexian Miracle Paintings;

and at the Freud Museum, in addition to his collection of sculptures, Barbara Loftus’ Sigismund’s Watch: a tiny catastrophe.

About

This is a diary recording exhibitions I've seen, interesting arts & health projects and my own failures and interesting references to failure. If you want to know the types of work I do please look at the About page here.

Receive stuff by email

Join 1,162 other subscribers

Search stuff

Stuff is categorised

from ecoartscotland.net

Ecoart in Action: Activities, Case Studies, and Provocations for Classrooms and Communities March 13, 2023
Ecoart in Action was published in 2022 and has now been featured in the e-flux Art&Education database. The book captures the scope of issues that art and ecology intersects with – the first contribution is on the need for media literacy in relation to environment and politics, and the last is concerned with how to... Continue Reading →
Art and Activism towards COP – Guest Review by Marc Herbst February 3, 2023
“Better late than never” This review from Marc Herbst, Co-editor of the Journal of Aesthetics & Protest explores art and activism at the time of COP26. Climate Crossroads by the Human Impact InstituteCentre for Contemporary Arts, Glasgow, November 2 – November 4, 2021 Court for Intergenerational Climate Crimes By Radha D’Souza and Jonas Staal Framer... C […]
Shelby Bennett reviews Robyn Woolston’s ‘Yours, in Extraction’ January 12, 2023
When entering Robyn Woolston’s recent solo exhibition Yours, in Extraction, the first word viewers see is “EMERGENCY.” The word is emblazoned on a stack of ‘Emergency Beacons’ stacked in the middle of the gallery at Fort Worth Contemporary Arts (Art Galleries at TCU). The beacons are tall, black, poles topped with blue lights that immediately... Continue Rea […]
Erika Cann and Siân Goldby: Towards a geological-artistic practice November 6, 2022
It’s been a while since we’ve posted on ecoartscotland. Several pieces are in the pipeline. Earlier this year The Barn, Banchory, ran a second iteration of Becoming Earthly. Following the first iteration of Becoming Earthly, ecoartscotland published a blog by David Haley. Following the second iteration this year, together with The Barn, we commissioned two.. […]
Beverly Naidus reviews ‘We are nature defending itself’ May 26, 2022
In a previous piece for ecoartscotland Beverly Naidus, Artist/Writer/Activist/Facilitator/Co-learner, reported on her 2017 visit to the zad. Here Beverly reflects on the publication from Pluto Press We Are ‘Nature’ Defending Itself: entangling art, activism and autonomous zones (WANDI), the recently published text from Isabelle Fremeaux and Jay Jordan. The t […]

My Networks

Time travel

Follow me on Twitter

My Tweets

CHRIS FREMANTLE